A Lot of Personal Experience
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Meet Tuba Meltem Pekol - with an English Literature background, searches for creative opportunities in every field and brings them to the audience in new forms.
As she is always attracted to indefinite chaos and uses it as the very core of her artistic expression, she integrates the fluid, uncontrollable, and spontaneous nature of life into her works.
She says,
" legend has it, this is where 'creation' begins. Manipulating countless realities, we begin to design our own little & special chaos."
Driven by curiosity, Meltem redefines the value of what is often dismissed as 'unnecessary,' transforming subtle details and fleeting moments into meaningful narratives and compelling statements.
Rather than confining herself to a defined title as an author, she identifies as a multidisciplinary artist, exploring her creative playground with freedom and curiosity.
When I speak of “mess,” I’m also speaking of the way events ripple into one another,
how my perceptions spill into meaning,
and how meaning loops back to shape the next moment.
In that sense,
my mess isn’t a flaw to clean up but a map of how I arrive here—again and again—through the quiet collisions of experience.
— The Mess
(My View)
The most engaging details always hinges on how the odd & bizarre are served naturally.
Sometimes, even before I look directly at an image, I can feel something stirring—an instinctive recognition, the same kind of subtle vibration that writing gives me. My inner self responds to these moments, so every small scribble becomes its own postcard, carrying the echo of an unseen picture.
All it takes is openness which is related to around,
a subtle connection that conforms us to
the flow of life & helps build a stronger bond with mess.
Building an intimacy with the ordinary happens when people embrace
all events, talkings, and thoughts as a mindset.
It is a journey to become a stranger who sneaks into
what's around before completely know your true self any better like a tourist who easily attaches to the casual.
